Weird Science

Non-Newtonian Fluid

Polish ver­sion is here

A Very Unu­sual Liquid - A Bit of The­ory

Accor­ding to the defi­ni­tion, a fluid is any sub­stance that can flow, mea­ning it can change its shape depen­ding on the con­ta­i­ner it is in and can also move fre­ely (flow). It is impor­tant to empha­size that the con­cept of a fluid is bro­a­der than that of a liquid, as it also inc­lu­des all gases and mixtu­res com­po­sed of dif­fe­rent phy­si­cal pha­ses, such as foam, emul­sions, or suspen­sions.

The pri­mary mea­su­ra­ble pro­perty of flu­ids is their visco­sity (not to be con­fu­sed with den­sity, as often hap­pens in eve­ry­day lan­gu­age). Visco­sity, also known as inter­nal fric­tion, is a pro­perty of flu­ids that descri­bes their inter­nal resi­stance to flow. It is not the resi­stance that occurs at the boun­dary between the fluid and the con­ta­i­ner walls, but rather the resi­stance between the fluid par­tic­les them­se­lves.

Based on the rela­tion­ship between shear stress and shear rate, there are two main types of flu­ids:

In New­to­nian flu­ids (per­fec­tly viscous), the shear stress τ is direc­tly pro­por­tio­nal to the shear rate γ, as shown in the graph below. This is known as the flow curve:

Ilustracja

This type of model accu­ra­tely descri­bes flu­ids such as water and gases.

The second cate­gory of flu­ids does not fol­low this linear rela­tion­ship, mea­ning they do not obey New­ton's law! The visco­sity of non-New­to­nian flu­ids is not con­stant under ste­ady pres­sure con­di­tions and chan­ges over time. Accor­ding to this defi­ni­tion, the flow curve of such a fluid is non-linear. These flu­ids can be divi­ded into:

Eno­ugh The­ory - Let's Get Prac­ti­cal!

After this sip of the­ory, we might ask our­se­lves whe­ther this has any prac­ti­cal rele­vance. New­to­nian flu­ids? Of cour­se­—we enco­un­ter them every day: we bre­a­the one of them, and water is no stran­ger to us. So, there’s nothing par­ti­cu­larly spe­cial about them. But what about those exo­tic non-New­to­nian ones? Well, they’re not as exo­tic as you might thin­k—you enco­un­ter them all the time. One exam­ple of a shear-thin­ning non-New­to­nian fluid is ket­chup in a bot­tle: it flows more easily when the bot­tle is sha­ken or tap­ped. Ano­ther exam­ple is whip­ped cream, which also shows lower visco­sity when pou­red. Howe­ver, in this expe­ri­ment, we’re more inte­re­sted in a shear-thic­ke­ning fluid, spe­ci­fi­cally a sim­ple mixture of corn­starch and water.

To pro­ceed with the expe­ri­ment, you will need a small con­ta­i­ner to mix the ingre­dients, along with a por­tion of corn­starch and cold water (at or below room tem­pe­ra­ture).

Pour a cer­tain amo­unt of corn­starch into the con­ta­i­ne­r—a­bout a quar­ter of a cup to start with. Then, while stir­ring con­ti­nu­o­u­sly, slowly add water in small amo­unts. Ini­tially, the corn­starch will absorb the water, but at some point, you will reach the stage of a non-New­to­nian fluid. This is easy to reco­gnize because the faster you try to stir, the har­der it beco­mes. In extreme cases, the fluid can behave like a pla­stic solid (tea­ring and bre­a­king into pie­ces, which then "melt" back into a uni­form liquid when stir­ring stops). When stir­red slowly, the fluid beha­ves like a rela­ti­vely thin liquid. You can add a lit­tle more water if nee­ded (but only a small amo­unt, as adding too much water will destroy the non-New­to­nian pro­per­ties, cau­sing the fluid to behave like a regu­lar liquid). The mixture sho­uld be stir­red fre­qu­en­tly to pre­vent sepa­ra­tion. Below is the pre­pa­red non-New­to­nian fluid:

Play­ing with the fre­shly made goo is quite fasci­na­ting. When you hit the sur­face of the liquid quic­kly and for­ce­fully with a spoon or ano­ther object, it resi­sts like solid rub­ber. Howe­ver, if you touch it gen­tly, the spoon will sink in as if it were a regu­lar liquid. Now ima­gine a pool fil­led with non-New­to­nian flu­i­d—by quic­kly and for­ce­fully stri­king its sur­face with your feet, you can run across it! Howe­ver, the moment you stop, the fluid aro­und your feet beco­mes less viscous and beha­ves like a regu­lar liquid, resul­ting in sin­king.

Ano­ther inte­re­sting pro­perty is that you can mold this mixture into various sha­pes, just like clay. Howe­ver, this can only hap­pen under dyna­mic con­di­tions or pres­su­re­—you need to act quic­kly. As soon as you stop moving or apply­ing pres­sure, the fluid begins to flow, lea­ving a pud­dle behind.

Pour some of the fluid onto a flat, smo­oth coun­ter­top. It will look like a white pud­dle, simi­lar to an ordi­nary liquid. Howe­ver, try quic­kly sco­o­ping it up with a spoon or your hand. Sur­pri­sin­gly, the spil­led fluid can be moved across the coun­ter­top (as long as you do it quic­kly) and can even be grab­bed and lifted.

The Fun Part - Brin­ging the Goo to Life

Now we come to what I con­si­der the most fasci­na­ting and visu­ally impres­sive phe­no­me­non you can achieve with this type of fluid. Howe­ver, this requ­i­res a bit more pre­pa­ra­tion than the pre­vious expe­ri­ments. You will need:

The setup is very sim­ple: con­nect the spe­a­ker to the ampli­fier as usual, then con­nect the ampli­fier to the fre­qu­ency gene­ra­tor (e.g., the sound card out­put). When the ampli­fier and gene­ra­tor are tur­ned on, the spe­a­ker dia­ph­ragm will vibrate at the selec­ted fre­qu­ency. Next, pour a small amo­unt of non-New­to­nian fluid onto the dia­ph­ragm (if you want to pro­tect the spe­a­ker, you can place a thin sheet of pla­stic foil over the dia­ph­ragm before pou­ring the fluid). The setup sho­uld look some­thing like this:

After pou­ring a small amo­unt of fluid onto the dia­ph­ragm, turn eve­ry­thing on. By adju­sting the fre­qu­ency, you can cre­ate a stan­ding wave in the fluid (these are dyna­mic con­di­tion­s—at dif­fe­rent points in the fluid, the vibra­tion for­ces will dif­fer, so the visco­sity of the fluid may vary signi­fi­can­tly within short distan­ces. This is the basis of the obse­rved effects). Some­ti­mes, the phe­no­me­non needs a trig­ger, such as blo­wing air onto the fluid’s sur­face thro­ugh a thin tube or gen­tly stir­ring it. Other times, it occurs spon­ta­ne­o­u­sly. The fluid’s sur­face beco­mes une­ve­n—some areas begin to col­lapse, while others rise, for­ming fin­ger-like pro­tru­sions that can extend quite high and move aro­und. It looks truly fasci­na­ting. The whole scene resem­bles some kind of living cre­a­ture, like an amo­eba. Occa­sio­nally, a por­tion of the fluid sepa­ra­tes from the rest and asto­ni­shin­gly begins to climb up the slo­ped wall of the dia­ph­ragm. Notice that these upward move­ments defy gra­vity, occur­ring at the expense of the spe­a­ker dia­ph­ragm's vibra­tion energy. When the vibra­tions stop, all effects cease, and the fluid set­tles at the bot­tom of the dia­ph­rag­m—only to "come alive" again when vibra­tions are resu­med. Below is a video show­ca­sing the results I achie­ved:

Enjoy!

Fur­ther rea­dings:

Marek Ples

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